![]() There's a little barrel distortion only in the macro range:Īt closest focus distance at f/2.2 on X-Pro1. The comparable LEICA 50mm f/1.4 ASPH has very slightly more distortion, too. Nikon's 50mm f/1.4 G looks awful doing this for comparison. ![]() This XF35/1.4 is less distorted than cheap lumber or my ability to hold it square. This is excellent performance, especially in light of the lack of mechanical vignetting, which other lenses use to hide their coma.ĭistortion is completely invisible at normal distances, whoo hoo! Coma is an artifact of spherical aberration. Coma goes away as stopped down, and tends not to be seen in slower and tele lenses. They happen with fast and wide lenses at large apertures. Look and you'll probably see bees buzzing around.Ĭoma, also called sagittal coma flare, is weird smeared blobs that appear around bright points of light in the corners. The only thing in focus and not blowing in the wind is the dingus on the left. Here it is focused a few feet away at f/5.6:Ī few feet away at f/5.6 on X-Pro1. I can't focus my LEICA this fast, much less this precisely, repeatably and accurately in low light.īokeh is the character of out of focus areas, not simply how far out of focus they are, is wonderful. original © file.ĪF is fast and exact, and covers a broad range right up to macro. #Fuji 27mm vs 35mm isoAutofocus on top of taps, f/1.4 at 1/52, X-Pro1 at AUTO ISO 1,250. original © file.Ĭrop from above image at 50 x 33" (1.5 x 1 meter or 100% pixel-to-pixel). Here's a casual example shot at f/1.4 in very dim light: ![]() #Fuji 27mm vs 35mm manualTherefore there are none of the mechanical errors present in rangefinder (LEICA) or SLR cameras.Īuto and manual focus is fast and exact. The Fuji XF 35mm f/1.4 ASPH is among the best lenses I've ever tested, excelling at both the technical aspects of sharpness, falloff and distortion, as well as the artistic aspects of ergonomics and bokeh.Īuto and manual focus is closed-loop, read directly from the image sensor. Mechanics Sharpness Spherochromatism Sunstars Overall Auto and Manual Focus Bokeh Coma DistortionĮrgonomics Falloff Filters Ghosts Color Fringes Macro Inside are custom-cut foam holding your lens, hood and all three caps. The lens box is marvelous: it's got a magnetic closure. ![]() Inside the box are two boxes: one large black one with the lens, and a black cardboard sleeve with the "lens wrapping cloth" and the paperwork. Metal hood with plastic bayonet, included. ![]() When used on the X-Pro1 with its 1.52x sensor, it sees the same angle of view as a 50mm lens sees when used on a 35mm camera. enlarge.ġ glass-molded aspheric element (5th element.) This is a Fuji X-mount lens, and as of April 2012, only works on the Fuji X-Pro1.įuji X-mount 35mm f/1.4 for X-Pro1. It also has an electronic diaphragm, set with the 1/3-stop clicks of the real aperture ring. The manual-focus ring works poorly, but who cares: the camera provides immediate manual focus, complete with magnification, with one tap of a button. This Fujinon 35/1.4 has all engraved markings and electronic auto and manual focus controlled by the camera. This Fuji lens has the superior sharpness and lack of distortion of the LEICA SUMMICRON-M 50mm f/2, with the speed and superior bokeh of the LEICA SUMMILUX-M 50mm f/1.4 ASPH, and focuses faster, focuses closer and has less light falloff than any of them. This all-metal lens has no visible distortion, focuses super-close, is super-sharp right out to the edges at f/1.4, has no lateral color fringes, has no visible light falloff even at f/1.4 and has superb bokeh. This Fuji XF 35mm f/1.4 is an aspherical 50mm-equivalant lens with performance better than LEICA's equivalent LEICA SUMMILUX-M 50mm f/1.4 ASPH. Intro Specs Performance Recommendations More ![]()
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